[p. 496]
|496| as the Areopagus of Athens casts equal votes into the urn of both powers, acknowledges the coexistence of both, but thus does not settle the dispute and determines no reference and relation of them, yet in a divine manner as the Athena of Athens gives him who was entangled in difference by the god himself wholly back to the latter, and with the separation of the powers, which both had a share in the criminal, also carries out the reconciliation in such a way that the Eumenides would be honoured by this people as divine powers and now have their seat in the city, so that their wild nature would enjoy the intuition of Athena, enthroned high on the citadel opposite their altar erected below in the city, and would thereby be calmed.
If the tragedy consists in this, that the ethical nature, lest it entangle itself with it, separates its inorganic from itself as a fate and sets it over against itself and, through the recognition of it in the struggle, is reconciled with the divine essence as the unity of both, then, to carry out this image, comedy will on the contrary in general fall on the side of fatelessness; either in that it [falls] within absolute vitality and therefore [presents] only shadow-images of antitheses or jests of struggles with a made-up fate and invented enemy – or falls within non-vitality and therefore presents only shadow-images of independence and of absoluteness: the former the old or divine comedy, the latter the modern comedy. The divine comedy is without fate and without true struggle, because in it there is the absolute confidence and certainty of the reality of the absolute without antithesis and, what as antithesis brings a movement into this perfect security and repose, is only an unserious antithesis having no inner truth, – let this antithesis now present itself against the divinity appearing foreign and outside, yet standing there in absolute certainty, as the remnant or dream of a consciousness of isolated independence, also

Leave a Reply
You must be logged in to post a comment.